Free Ebook The Mask of ShameBy Professor Leon Wurmser

Free Ebook The Mask of ShameBy Professor Leon Wurmser

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The Mask of ShameBy Professor Leon Wurmser

Free Ebook The Mask of ShameBy Professor Leon Wurmser

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• Amazon Sales Rank: #81703 in Books
• Published on: 1981-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.84" h x .59" w x 7.87" l,
• Binding: Hardcover
• 345 pages

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Free Ebook The Art of the Two-Handed SwordBy Ken Mondschein Ph.D.

Free Ebook The Art of the Two-Handed SwordBy Ken Mondschein Ph.D.

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The Art of the Two-Handed SwordBy Ken Mondschein Ph.D.

Free Ebook The Art of the Two-Handed SwordBy Ken Mondschein Ph.D.

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The Art of the Two-Handed Sword translates one of the last surviving works on the use of the two-handed sword, also called the great sword, a Renaissance descendant of the medieval knightly weapon that was equally at home on the battlefield, at tournaments, in the fencing academy, or on the street. The second half of the book provides a clear, practical, detailed guide to its use, as well as to the theory and practice of historical fencing. Francesco Alfieri’s 1653 Lo Spadone (The Two-Handed Sword), translated here, provides a “missing link” between medieval and modern martial arts. It displays clear continuity with both medieval swordsmanship and the still living traditions of sabre and great stick. Beginning in the 14th Century, swords became more sharply pointed in order to pierce the heavy plate armor of the day, and the grip became longer to allow two-handed use for greater power. By the end of the 15th Century, the two-hander, as long as a man is tall, had become a fearsome infantry weapon used to break up pike formations and in honor guards defending the standard or banner. It was also used in tournaments, on the field of honor, and for civilian self-defense. This long two-hander was known in Italy as the spadone. Its basic methods have continued to the present day in great stick technique. The Art of the Two-Handed Sword is the first complete English translation of Alfieri’s book, supplemented by related materials: the MS Riccardiano (c. 1550) and works by Camillo Agrippa (1553), Giacomo di Grassi (1570), and finally Guieseppe Colombani (1711), who provides our last textual reference to the weapon. Alfieri’s work is supplemented by Ken Mondschein’s painstaking reconstruction and adaptation of longsword practice for the present day. He draws on primary sources, martial arts traditions, classical and modern fencing theory, and extensive practical experience to create a practical and enjoyable method for learning and practicing the spadone under modern conditions. Numerous photographs illustrate the techniques that he describes.

• Amazon Sales Rank: #183126 in Books
• Brand: Brand: SKA SwordPlay Books
• Published on: 2012-01-18
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .52" w x 7.00" l, .90 pounds
• Binding: Paperback
• 230 pages

Features

• Used Book in Good Condition

About the Author Ken Mondschein, a lifelong student of history and the martial arts, received his Ph.D. in medieval history from Fordham University. He is certified as a Prévôt d’Escrime by the International Academy of Arms and holds a second-degree black belt in traditional Japanese karate. He is a historical fencing instructor and Research Fellow at the Higgins Armory Museum, a Visiting Fellow at University of Massachusetts— Amherst Center for Interdisciplinary Renaissance Studies, and a fencing coach at Pioneer Valley Fencing Center. He was a Fulbright grantee to France in 2007–2008 and a visiting fellow at Harvard in 2009–2010. Ken is the translator of Camillo Agrippa’s seminal 1553 rapier treatise (Italica Press, 2009), and The Knightly Art of Battle, a study of Fiore dei Liberi’s medieval martial arts (Getty Publications, 2011), among other works. In all, Ken has almost two decades of martial arts experience, with fourteen years of experience in traditional Western swordsmanship and stick fighting. He is also an experienced equestrian.

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PDF Download Design Process: A Primer for Architectural and Interior Design (Architecture)By Sam F. Miller

PDF Download Design Process: A Primer for Architectural and Interior Design (Architecture)By Sam F. Miller

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Design Process: A Primer for Architectural and Interior Design (Architecture)By Sam F. Miller

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Design Process A Primer for Architectural and Inerior Designers Sam F. Miller, AIA First, you’ll learn how to look at building components and materials inside and out, evaluating: structural materials; heating, electrical, and plumbing systems; aesthetics and light; the site; movement of people and traffic; and ecological considerations. Then, you’ll learn why research is important and why you need to be familiar with particular building types—hospitals, museums, manufacturing facilities, airports, libraries, office buildings, and mixed-use structures—before you even think about designing. And you’ll take a look at building codes and local zoning ordinances. After a thorough grounding in the physical, you’ll meet that all-important client and learn how to find out what they really want as you develop a list of goals, problems to be solved, and design requirements. You’ll learn how to brainstorm with the client and discover why it’s important to involve the client in the design process from beginning to end. Next, you’ll learn how to give shape to your ideas as you explore sketching and techniques for model building; then you’ll refine your design, building on the synergism of sketching and modeling. You’ll even learn how to surmount those inevitable dead ends with tried-and-true techniques from the pros. Finally, you’ll learn how to package the results of your labors in a professional presentation as Miller discusses the merits and drawbacks of various presentation methods. Plus, the author includes candid interviews with some of the field’s most respected designers: R. Scott Johnson, Bart Prince, and Steve Badanes, among others, to give you the perspectives of working professionals at different levels. Whether you’re a novice in the classroom or an old hand with a celebrated clientele, you’ll get a fresh look at the elusive design process in this real-world primer.

• Sales Rank: #2238771 in Books
• Published on: 1995-02
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x .50" l,
• Binding: Paperback
• 275 pages

From Library Journal
This work on architectural design and creativity targets both students and practitioners, clearly, albeit pedantically, articulating each phase of the design process. The first part introduces basic concepts and objective components of the design process. The next part deals with the subjective visualization inherent in sketching, modeling, and reworking. Potentially the most interesting, the third part consists of interviews with eight U.S. architects, including Steve Badanes, R. Scott Johnson, and Bart Prince. Unfortunately, the interviews, while far-ranging, tend to meander. Three hundred sketches and illustrations reinforce the book's practical, how-to orientation. A satisfactory but not essential choice for college and architecture and design libraries.
Russell T. Clement, Univ. of Tennessee, Knoxville
Copyright 1995 Reed Business Information, Inc.

From the Back Cover
Design Process A Primer for Architectural and Inerior Designers Sam F. Miller, AIA First, you’ll learn how to look at building components and materials inside and out, evaluating: structural materials; heating, electrical, and plumbing systems; aesthetics and light; the site; movement of people and traffic; and ecological considerations. Then, you’ll learn why research is important and why you need to be familiar with particular building types—hospitals, museums, manufacturing facilities, airports, libraries, office buildings, and mixed-use structures—before you even think about designing. And you’ll take a look at building codes and local zoning ordinances. After a thorough grounding in the physical, you’ll meet that all-important client and learn how to find out what they really want as you develop a list of goals, problems to be solved, and design requirements. You’ll learn how to brainstorm with the client and discover why it’s important to involve the client in the design process from beginning to end. Next, you’ll learn how to give shape to your ideas as you explore sketching and techniques for model building; then you’ll refine your design, building on the synergism of sketching and modeling. You’ll even learn how to surmount those inevitable dead ends with tried-and-true techniques from the pros. Finally, you’ll learn how to package the results of your labors in a professional presentation as Miller discusses the merits and drawbacks of various presentation methods. Plus, the author includes candid interviews with some of the field’s most respected designers: R. Scott Johnson, Bart Prince, and Steve Badanes, among others, to give you the perspectives of working professionals at different levels. Whether you’re a novice in the classroom or an old hand with a celebrated clientele, you’ll get a fresh look at the elusive design process in this real-world primer.

About the Author
About the Author Sam F. Miller, AIA, is currently a practicing architect and project manager at CSO Architects, Inc., in Indianapolis. He is active in the American Institute of Architects Committee on the Environment (COTE) and has written a report on ## COTE’s Environmental Resource##

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